Karachi-born Margaret Lockwood, daughter of a British colonial railway clerk, was educated in London and studied to be an actress at the Italia Conti Drama School. She was the female love interest in Midshipman Easy (1935), directed by Carol Reed, who would become crucial to Lockwood's career. [20], She was meant to be reunited with Reed and Redgrave in The Girl in the News (1940) but Redgrave dropped out and was replaced by Barry K. Barnes: Black produced and Sidney Gilliat wrote the script. One of those famous faces was Marilyn Monroe. All rights reserved. A rather controversial biographer once . [1] In June 1934 she played Myrtle in House on Fire at the Queen's Theatre, and on 22 August 1934 appeared as Margaret Hamilton in Gertrude Jenning's play Family Affairs when it premiered at the Ambassadors Theatre; Helene Ferber in Repayment at the Arts Theatre in January 1936; Trixie Drew in Henry Bernard's play Miss Smith at the Duke of York's Theatre in July 1936; and back at the Queen's in July 1937 as Ann Harlow in Ann's Lapse. A year later, she played another fairy, for 30 shillings a week, in "Babes in the Wood" at the Scala Theatre. This started filming in November 1939. Lockwood later admitted "I was far from being reconciled to my role of the unpleasant girl and everyone treated me warily. Jennifer Lawrence, for instance, has been dubbed the"mole-iest" not most beauty-marked sex symbol of all time by Slate because her pigmented spots happened to land not just on her face, but on her neck and chest as well. This is partially dictated by Hollywood's elite. Lockwood wanted to play the part of Clarissa, but producer Edward Black cast her as the villainous Hesther. Believing she will die, she gives up her lover Kit (Granger) to an actress, Judy (Roc), who is mounting an outdoor production of The Tempest on a rugged Cornwall coastal spot. ", Even by the mid-1800s, not everyone had opened their minds likePepys. This was the first of her "bad girl" roles that would effectively redefine her career in the 1940s. Her beauty spot, added during filming of A Place of One's Own (1945) in 1945 Trivia (28) Mother of actress Julia Lockwood. Allied to this is the fact that she photographs more than normally easily, and has an extraordinary insight in getting the feel of her lines, to live within them, so to speak, as long as the duration of the picture lasts. In June 1939, Lockwood returned to the United Kingdom. [49], She then appeared in a thriller, Cast a Dark Shadow (1955) with Dirk Bogarde for director Lewis Gilbert. That was natural." This was the inspiration for the three-season (39 episodes) Yorkshire Television series Justice, which aired from 1971 to 1974. They write new content and verify and edit content received from contributors. In 1944, in A Place of Ones Own, she added one further attribute to her armoury: a beauty spot painted high on her left cheek. Here you'll find all collections you've created before. Her most popular roles were as the spunky heroine of Alfred Hitchcocks mystery The Lady Vanishes (1938) and as the voluptuous highwaywoman in the costume drama The Wicked Lady (1945). She called it My first really big Picture. Margaret Mary Day Lockwood, CBE (15 September 1916 15 July 1990), was an English actress. She followed it with Irish for Luck (1936) and The Street Singer (1937). Popular British leading lady of the late 1930s who became England's biggest female star of the WWII era. They appeared together again in the romantic melodrama The White Unicorn (1947). The following year, she appeared at the Scala Theatre in the pantomime in the drama The Babes in the Wood. Cindy Crawford, for example, is notorious for her iconic "blemish." A good thing about fake moles is that there's zero risk of one turning into skin cancer. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of The Beloved Vagabond. Italia Conti Drama School. Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. These films have not worn particularly well, but. In the postwar years, Lockwoods popularity fell out of favor. Lee dropped out and was replaced by Lockwood. Lockwood began training for the Italia Conti Academy of Theatre Arts at the age of twelve and made her stage debut in 1928 with the play A Midsummer Nights Dream. Due to the success of the film, Margaret spent some time in Hollywood but was given poor material and soon returned home. That's right ladies, moles are beautiful. When the author Hilton Tims was preparing his biography, Once a Wicked Lady, a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, Give her these from me. Margaret Lockwood lived at 34 Upper Park Rd, Kingston upon Thames KT2 5LD between 1960 and 1990. She had one last film role, as the stepmother with the sobriquet, "wicked", omitted but implied, in Bryan Forbes's Cinderella musical, "The Slipper and the Rose" in 1976. Barbara insouciantly dons the costume and pistols of a villainous male archetype associated with sexual conquests: the assumption of a highwaymans costume connotes both womens assumption of dangerous jobs formerly done by men and their liberation as sexually independent beings, both products of the war. Julia Lockwood with her mother, Margaret, in 1980. - makes her the epitome of the British noblewoman. Shakespearean expert and literary historian Stephen Greenblatt lectured students at the University of Science and Arts of Oklahoma on "Shakespearean Beauty Marks." In 1955, she gave one of her best performances, as a blowsy ex-barmaid, in Cast A Dark Shadow, opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. Her body was cremated at Putney Vale Crematorium. Cindy Crawford and other big names with facial moles. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was "an unfit mother.". With the drama picture Bank Holiday, she created a reputation for herself. Samuel Pepys, who originally prohibited his wife from wearing one, had a change of heart. She travelled to Los Angeles and was put to work supporting Shirley Temple in Susannah of the Mounties (1939), set in Canada, opposite Randolph Scott. It was one of a series of films made by Gaumont aimed at the US market. Karen Hearn, an honorary professor of English at University College London, told BBC, "He found them worrying." Lockwood was born on 15 September 1916 in Karachi, British India, to Henry Francis Lockwood, an English administrator of a railway company, and his third wife, Scottish-born Margaret Eveline Waugh. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. 17th-century beauty Barbara Worth starts her career of crime by stealing her best friend's bridegroom. "[10], She did another with Reed, Night Train to Munich (1940), an attempt to repeat the success of The Lady Vanishes with the same screenwriters (Launder and Gilliat) and characters of Charters and Caldicott. Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. Cindy Crawford, for example, is notorious for her iconic "blemish." Yet, even she considered having surgery to get . [24] She was featured alongside Phyllis Calvert, James Mason and Stewart Granger for director Leslie Arliss. "Since 1945 I had been sick of it there had been little or no improvement to me in the films I was being offered. She returned to Britain to live in Somerset in 2007. She called it "my first really big picture with a beautifully written script and a wonderful part for me. She refused to return to Hollywood to make "Forever Amber", and unwisely turned down the film of Terence Rattigan's "The Browning Version". For Black and director Robert Stevenson she supported Will Fyffe in Owd Bob (1938), opposite John Loder. She was survived by her daughter, the actress Julia Lockwood. Her final stage appearance, as Queen Alexandra in "Motherdear", ran for only six weeks at the Ambassadors' Theatre in 1980. Lockwood discusses her upbringing in a Boston area Irish family and her early . "It is a mark of all that Shakespeare found indelibly beautiful in singularity and all that we identify as indelibly singular and beautiful in his work," the historian further added. That's not to say all faux beauty marks went out of style. With smallpox being all but eradicated by the 19th century, the demand for mouches would eventually become nonexistent. Before long, mouches made their way into politics. A free trial, then 4.99/month or 49/year. [26] In 1946, Lockwood gained the Daily Mail National Film Awards First Prize for most popular British film actress. Her profile rose when she appeared opposite Maurice Chevalier in The Beloved Vagabond (1936)[4]. What Austin, Texas looked like in the 1970s Through These Fascinating Photos, Rare Historical Photos Of old Mobile, Alabama From Early 20th Century, What El Paso, Texas, looked like at the Turn of the 20th Century, Fascinating Historical Photos of Portland from the 1900s, Stunning Historical Photos Of Old Memphis From 20th Century. Photograph: Cine Text/Allstar Sat 29 Nov 2008 19.01 EST No 37 Margaret Lockwood, 1916-90 She was born in India, a daughter of the Raj, brought up in England by a cold,. [citation needed] She was a guest on the BBC radio show Desert Island Discs on 25 April 1951.[53]. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. The first of these was Hungry Hill (1947), an expensive adaptation of the novel by Daphne du Maurier which was not the expected success at the box office. Gilbert later said "It was reasonably successful, but, by then, Margaret had been in several really bad films and her name on a picture was rather counter-productive. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. Hear, hear! Racked explained how women first started applying mouse fur yes, mouse fur to their pockmarks. Did anyone tell you what a slut you are? Grangers Rokeby says to Hesther in The Man in Grey, before slapping her; the accusation doesnt perturb her since she uses sex to rise in society. She was in a BBC adaptation of Christie's Spider's Web (1955), Janet Green's Murder Mistaken (1956), Dodie Smith's Call It a Day (1956) and Arnold Bennett's The Great Adventure (1958). When Barbara smothers the godly old servant (Felix Aylmer) whos lingering on after drinking her poison, she was speaking for all mid-40s women who were impatient to dispense with patriarchalcant. She also had another half-brother, John, from her father's first marriage, brought up by his mother in Britain. Margaret Lockwood autographed publicity for Jassy, The Wicked Lady (1945) photograph (48) | Margaret Lockwood, Margaret Lockwoods jumper Bestway knitting leaflet, Jassy (1947) photograph (34) | Margaret Lockwood, Patricia Roc, Margaret Lockwood photograph (37) | Highly Dangerous 1950, Queen of the Silver Screen Margaret Lockwood biography Spence 2016, Once a Wicked Lady biography of Margaret Lockwood by Hilton Tims, Lucky Star The Autobiography of Margaret Lockwood, My Life and Films autobiography by Margaret Lockwood (1948), 34 Upper Park Rd, Kingston upon Thames KT2 5LD. The film was the most successful at the British box office in 1946, and she won the first prize for most popular British film actress at the Daily Mail National Film Awards. Ifyou just so happen to wake up one morning and find a brand new beauty mark staring back at you in the mirror, take note. The Wicked Lady (1945) Drama - Margaret Lockwood, James Mason and Patricia Roc Classic Movies 177 subscribers Subscribe 18K views 2 years ago A noblewoman begins to lead a dangerous double life. In December of the following year, she appeared at the Scala Theatre in the pantomime The Babes in the Wood. "[11] Hitchcock was greatly impressed by Lockwood, telling the press: She has an undoubted gift in expressing her beauty in terms of emotion, which is exceptionally well suited to the camera. Trained on the stage, Lockwood made her film debut in 1935 and distinguished herself as the ingenue lead of Hitchcock's delightful suspenser "The Lady Vanishes" (1938) and as the vain wife of Michael Redgrave in Carol Reed's fine mining-town drama "The Stars Look Down" (1939). However she was soon to suffer what has been called "a cold streak of poor films which few other stars have endured. She was borrowed by Paramount for Rulers of the Sea (1939), with Will Fyffe and Douglas Fairbanks Jr.[15] Paramount indicated a desire to use Lockwood in more films[16] but she decided to go home. "I was terribly distressed when I read the press notices of the film", wrote Lockwood. With Margaret Lockwood, James Mason, Patricia Roc, Griffith Jones. Those with beauty marks in the 1800s would've likely felt anything but beautiful during a time when skin whitening recipes promising to "take away" freckles and moles were abundant. During her suspension she went on a publicity tour for Rank. This was her first opportunity to shine, and she gave an intelligent, convincing performance as the inquisitive girl who suspects a conspiracy when an elderly lady (May Whitty) seemingly disappears into thin air during a train journey. Instead, she played the role of Jenny Sunley, the self-centred, frivolous wife of Michael Redgrave's character in The Stars Look Down for Carol Reed. Her body was cremated at Putney Vale Crematorium. She was best known for her roles in The Lady Vanishes (1938) and The Wicked Lady (1945) but also enjoyed a successful stage and television career. Lockwood, born to a Scottish woman and her English railway clerk husband in Karachi on 15 September, was the most glamorous and dynamic of the female stars. Lady barrister Harriet Peterson tackles cases in London. Instead, she calls it her"forever moving mole" and sometimes draws it on to cover a blemish. A vivacious brunette with a beauty spot on her left cheek, she starred in a wide variety of films, notably the wartime thriller Night Train to Munich (1940), the romantic comedy Quiet Wedding (1941), as the husband-stealing murderess in the period melodrama The Man in Grey (1943), Trents Last Case (1952), Cast a Dark Shadow (1955), and as Cinderellas stepmother in The Slipper and the Rose (1976).